« Malay manuscripts from Patani » by Annabel Teh Gallop, 04/08/2017, Asian and African Studies Blog (British Library)
Patani is a culturally Malay-Muslim region located on the northeast coast of the Malay peninsula, in the southern part of Thailand. It has long been renowned as a cradle of Malay art and culture, and especially as a centre for Islamic learning, with close links with the Holy Cities of Arabia. Patani has produced many notable Islamic scholars, the most prominent being Daud bin Abdullah al-Patani (1769-1847), who lived and wrote in Mecca in the first half of the 19th century. scholars, and Wan Ahmad al-Patani (1856-1908), the first Superintendent of the Malay press in Mecca. Patani is one of the great centres of the Malay manuscript tradition, and many manuscripts from Patani are now held in the National Library of Malaysia and the Islamic Arts Museum Malaysia in Kuala Lumpur.
The British Library holds two manuscripts probably from Patani, both of which may have been copied very recently, and which have been fully digitised. One contains a well-known Malay tale, Hikayat Raja Khandak dan Raja Badar (Or.16128), set during the early wars of Islam, in which the eponymous villain, Raja Khandak (known in some versions as Raja Handak or Raja Handik) and his son Raja Badar battle against the forces of the Prophet. It was a very popular story, and is also found in Javanese, Sundanese, Acehnese and Makassar versions.
The second manuscript aquired from the same source, Or. 16129, consists of only 11 folios and contains an unidentified religious work (or fragment of a work) by Imām Aḥmad (the Sunni jurist Aḥmad bin Ḥanbal, 780-855) on the shahādah (profession of faith), set within frames with a commentary written in the margins. The main text has a colophon stating that it was written on 24 Muharam 160 (14 February 1844) in Mecca. This manuscript is also written in a small neat hand with a ‘modern’ feel, but in this case modern influences are clearly manifest in the use of certain punctuation elements such as brackets and numbered points within the text, indicating a date of production in the 20th century and perhaps even suggesting that the manuscript might have been copied from a printed source.
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