Center for Patani Studies : Resources for the Study of Patani’s History, Culture, and Society by Francis Bradley
This is an internet center for the study of Patani’s history, culture, and society with a focus on the period prior to its formal inclusion into Siam/Thailand in 1909. Founded in July 2013 by Francis R. Bradley, assistant professor of history in the department of social sciences and cultural studies at the Pratt Institute, the project aims to create a meeting place for people with a scholarly interest in Patani. Current projects include the building of relevant bibliographies and the forging of links between scholars and institutions dedicated to the growth of the field of Patani Studies.
On trouve sur le site des bibliographies : une des sources primaires (manuscrits malais) pour les études sur Patani, une des sources secondaires (monographies historiques) ainsi qu’une liste des savants musulmans de la région avec quelques données biographiques et leurs oeuvres.
Les chercheurs intéressés sont invités à collaborer au site.
Adresse du site : https://patanistudies.com/
« Malay manuscripts from Patani » by Annabel Teh Gallop, 04/08/2017, Asian and African Studies Blog (British Library)
Patani is a culturally Malay-Muslim region located on the northeast coast of the Malay peninsula, in the southern part of Thailand. It has long been renowned as a cradle of Malay art and culture, and especially as a centre for Islamic learning, with close links with the Holy Cities of Arabia. Patani has produced many notable Islamic scholars, the most prominent being Daud bin Abdullah al-Patani (1769-1847), who lived and wrote in Mecca in the first half of the 19th century. scholars, and Wan Ahmad al-Patani (1856-1908), the first Superintendent of the Malay press in Mecca. Patani is one of the great centres of the Malay manuscript tradition, and many manuscripts from Patani are now held in the National Library of Malaysia and the Islamic Arts Museum Malaysia in Kuala Lumpur.
The British Library holds two manuscripts probably from Patani, both of which may have been copied very recently, and which have been fully digitised. One contains a well-known Malay tale, Hikayat Raja Khandak dan Raja Badar (Or.16128), set during the early wars of Islam, in which the eponymous villain, Raja Khandak (known in some versions as Raja Handak or Raja Handik) and his son Raja Badar battle against the forces of the Prophet. It was a very popular story, and is also found in Javanese, Sundanese, Acehnese and Makassar versions.
The second manuscript aquired from the same source, Or. 16129, consists of only 11 folios and contains an unidentified religious work (or fragment of a work) by Imām Aḥmad (the Sunni jurist Aḥmad bin Ḥanbal, 780-855) on the shahādah (profession of faith), set within frames with a commentary written in the margins. The main text has a colophon stating that it was written on 24 Muharam 160 (14 February 1844) in Mecca. This manuscript is also written in a small neat hand with a ‘modern’ feel, but in this case modern influences are clearly manifest in the use of certain punctuation elements such as brackets and numbered points within the text, indicating a date of production in the 20th century and perhaps even suggesting that the manuscript might have been copied from a printed source.
Lire la suite et accéder aux manuscrits sur : http://blogs.bl.uk/asian-and-african/2017/08/malay-manuscripts-from-patani.html?
« Deep South ‘Patani arts’ opens in the North » by Kong Rithdee, 20/07/2017, Bangkok Post
A major contemporary art exhibition about the Deep South is on display at a museum in Chiang Mai, one of the biggest gatherings of artists from the region, with the addition of others whose works touch on the stories of conflicts and violence in the southernmost provinces.
“Patani Semasa” opened last night at MAIIAM Contemporary Art Museum in San Kamphaeng, Chiang Mai. It features 27 artists who work in painting, photography, installation pieces and video art.
The majority are from “Patani”, the generic and historic name of the provinces of the Deep South. Many are women, and while the exhibition generally showcases the development of contemporary art in the region, the dominant theme at this show is the loss, reflection and hope that come with the protracted unrest plaguing the region for decades, particularly since 2004.
Lire la suite sur : http://www.bangkokpost.com/lifestyle/art/1290594/deep-south-patani-arts-opens-in-the-north
Exhibition : Patani Semasa : Pameran Seni dari Patani, 19/07/2017 – 14/02/2018, MAIIAM Contemporary Art Museum
An exhibition on contemporary art from the Golden Peninsula. Ranging from different time periods, works of art as well as cultural representations of the “Patani region” from 27 artists have been selected – both locals and those engaged with issues relevant to the area in question.
Voir : http://www.maiiam.com/exhibition/