CFP : Antennae: The Journal of Nature in Visual Culture

CFP : Antennae : The Journal of Nature in Visual Culture « Uncontainable natures : Southeast Asian ecologies and visual culture » 

Guest-editors: Kevin Chua, Lucy Davis, and Nora A. Taylor

For this issue of Antennae: Journal of Nature in Visual Culture, the editorial team seeks submissions from writers, artists, curators, and cultural theorists working with nature, ecology, and post-humanistic philosophy in Southeast Asia.

The past few decades have seen a resurgence of forms of containment in Southeast Asia, whether political (new governmental exclusions and repressions) or epistemological (new scientific understandings of nature). More acutely, certain governments and non-governmental organizations have utilized and underwritten a politics of nature, instrumentalizing nature for their own ends. This issue will gather papers and artistic contributions that contest this new reality. How have recent “scientific” understandings of nature in the region reaffirmed capitalism? How is nature uncontained and uncontainable in Southeast Asia?

It is a truism to say that the extended region of Southeast Asia – which encompasses the Western shores of the South China Sea, the Eastern shores of the Indian Ocean and the archipelagoes of Indonesia and the Philippines – has its own diverse yet particular ecologies. Nor is it any surprise to find various permutations of climate disasters and climate crimes in the region, from deforestation, haze, land reclamation, mudslides, to seas of plastic and flooding. This issue will propose new ways of thinking about nature as politically and epistemologically uncontainable, ungovernable, and irreducible. How have artists thought and practiced in interconnected lifeworlds – making ecology (a) practice – via an engagement with regional geographies, cultures and histories? How have artists drawn on indigenous animisms or the colonial production of “nature” to create an eco-politics of the present?

Ultimately, Uncontainable Natures seeks to push against the ever-recurring specter of anthropocentrism. From China to Singapore, technological “fixes” to climate change tend to reinstall human centrality. How have artists and exhibitions critically engaged anthropocentric tropes of colonial natural history or modern representations of the natural world? How have non-human actors intervened in or subverted modern orders of representation? How do pre-modern nonhuman agents or spirit ecosystems animate contemporary art practices in urban Asia? How have artists working with biology and new technologies in Southeast Asia troubled anthropocentric hubris, expanding our understanding of what it means to be human? How have they challenged deep-seated notions of “life,” and questioned capitalistic vitalisms of various kinds? How has our current ecological crisis brought about new porous understandings of the entanglement of nature and culture in the Southeast Asian region?

Topics considered include, but are not limited to:

Climate change, past and present
Political economics of nature
Species loss
Rights to land, air and water
Materialities
Ethno-biologies/botanies/ecologies
Ghosts, spirits, specters
Spirit lives of objects
Feminist, LGBTQ/ intersectional recuperations of ‘traditional’ eco-lore
Non-human ecological agents: animals, plants, mountains, forests, oceans
Ecological ramifications of recent archaeological research (for example the Sulawesi cave paintings) and associated art historical shifts
Non-visual sensual ecologies and knowledges: sonic, haptic, energetic fields
Urban nature cultures
New migrant species, viruses or bacteria
Critical technological interconnectivities
Critical internet ecologies and cosmologies
Science fictional and speculative ecologies
Southeast Asian eco-hack-and-tinkerings
Politics and cultures of waste

Submission guidelines:

Academic essays = length 6000-10000 words
Artists’ portfolio = 5/6 images along with 1000 words max statement/commentary
Interviews = maximum length 8000 words
Fiction = maximum length 8000 words
Roundtable discussions = 5000 words

Deadlines:
Abstracts: August 31st 2018 (Please submit a 350 words abstract along with a CV and one or two images)
Selection process is finalized and feedback sent by: October 31st
Submissions of final pieces: March 31st
Please email any questions to: Giovanni Aloi: Editor in Chief of Antennae: The Journal of Nature in Visual Culture antennaeproject@gmail.com (www.antennae.org.uk)

Voir: https://www.facebook.com/168701325727/posts/10155283825675728/