Photographing the Soul of Cambodia: Interview with Sophal Neak by Francesca Masoero, 04/07/2017 in ArtAsiaPacific
Sophal Neak was born in Takeo, a province in southern Cambodia, in 1989. Since 2011, her works—in particular her photographs—have been showcased across Asia, Europe and Australia. Her unique and uncompromising take on history and people, as well as her distinctive and powerful vision, has played an important role in contributing to the cultural re-awakening of her country. In an interview with ArtAsiaPacific, the photographer discusses her art and creative processes, her take on gender in Cambodia and more.
“Flowers,” your most recent exhibition, is currently being showcased in Phnom Penh, but your work has travelled quite a bit across the globe. How do you feel about the fact that your photographs are allowing more people to get to know Cambodia?
Allowing people outside Cambodia to understand the complexity of my country is really important, but I’d actually like my work to serve as a certain reminder for the Khmer people as well. Most Cambodians tend to stick with the traditional culture and perceptions. This includes, for example, that women have to be young and beautiful, or that they have to cook and have children. By drawing attention to these concepts in my work, I try to raise the awareness of viewers and invite them to move forward from these ideas.
Lire la suite sur : http://artasiapacific.com/Blog/PhotographingTheSoulOfCambodiaInterviewWithSophalNeak
This is a preliminary presentation, a kind of show-and-tell, based on writer, curator and artist Zhuang Wubin’s recent book, Photography in Southeast Asia: A Survey (NUS Press, 2016). Zhuang’s primary intention is to share with the audience some of the materials that he has accumulated during his decade-long fieldwork relating, directly or indirectly, to the different facets of photographic production during the Cold War period. The aim is to unpack the varying ways in which photography was being mobilised, subject to personal and institutional desires.
This talk is organised in conjunction with the exhibitions “Who wants to remember a war?” and LINES: War Drawings and Posters from the Ambassador Dato’ N. Parameswaran Collection, which features posters, woodcuts and drawings from the French phase of the Indochina war of resistance against the Americans, and drawings and sketches of life and people at the frontlines.
About the speaker
As a writer/curator, Zhuang Wubin focuses on the photographic practices in Southeast Asia. A 2010 recipient of the research grant from Prince Claus Fund (Amsterdam), Zhuang is an editorial board member of Trans-Asia Photography Review, a journal published by the Hampshire College and the University of Michigan Scholarly Publication Office. He has been invited to research residency programmes at Asia Art Archive, Hong Kong (2015) and Institute Technology of Bandung (2013). He is the contributing curator of the biennial Chiang Mai Photo Festival (2015, 2017). Published by NUS Press, Photography in Southeast Asia: A Survey (2016) is his fourth book.
As an artist, Zhuang uses photography and text to visualise the Sinophone communities in Southeast Asia.
« Photographer Captures Intimacy of Daily Life in Cambodia » by Michelle Vachon, 02/05/2017, The Cambodia Daily
When French-Canadian photographer Serey Siv embarked on a project two years ago to photograph ordinary life across small-town Cambodia, his goal was far from simple.
Assuming the role of an observer, he sought to capture the “timeless” side of life in the country: the small episodes in people’s daily lives that could have taken place in the 1960s or on Monday. To better set the photographs out of time, he shot in black and white.
“I played a bit with this notion of past and present,” he said on Friday.
An exhibition of Mr. Siv’s series, “La balade de Serey,” or “Serey’s Stroll,” opens today in Siem Reap City.
It took a year for Mr. Siv to capture the images of daily life, waiting to seize the moments as they happened in the “beautiful natural light” that occurs for only a few hours each day. The result is images in which the gray and black tones make the scenes all the more striking and create a quiet intimacy with the people portrayed, drawing in the viewer.
Lire la suite sur : https://www.cambodiadaily.com/news/photographer-captures-intimacy-of-daily-life-in-cambodia-128957/